I’ve taken my place on stage, and all I can see are the silhouettes of what look like hundreds of people beneath the blaring lights shining directly on me. Our flamenco group, Las Llamadas Del Flamenco, has been practicing diligently for this very moment: to dance at the Starbelly Festival in a prime evening slot. Then, it happens again. My mind goes blank, and I feel myself distancing from my own body as panic sets in. I’m experiencing myself outside of myself, and I know that I will cause a train wreck if I don’t get out of my head. This disconnect is not new; I’ve felt it when the pressure of perfectionism rears its ugly head.
The first time this happened is one of my earliest memories. I was five, maybe six, enrolled in the prestigious Miyashita Ballet School in Kyoto, Japan. The school was known for its rigorous and comprehensive ballet training, even for young dancers. I remember the day of our big performance. Mama, along with all the other moms, was getting me ready backstage, slathering make up on my face and slicking my hair back into a tight bun on the top of my head. It was so tight that it pulled my eyes up, but no amount of pulling could hide the obvious Caucasian traits of my gangly limbs and my reddish, light brown hair. Amongst the thick, silky black hair and the build of other Japanese dancers, I was already blatantly out of place.
We all took our positions on stage, dressed in our orange tutus. I looked for my parents, but the lights blinded me. As the music started, I felt my heart in my throat, and suddenly, my mind went blank. I had no idea what I was doing up there, and my only reaction to the sudden displacement within myself was to move to the music. But my dance was entirely my own and bore no resemblance to what I had learned. I vaguely remember making the commitment to keep moving, flying solo on a gust of wind that only I could feel against the unified flock of orange tutus. I was completely in my own world throughout the entire performance, a fact that everyone witnessed. When others made it evident that I had made a colossal mistake, it forced me to carry the weight of a newfound burden of shame.
Fast forward forty-five or so years later, I’m back on stage, and I find myself on the outer perimeters of myself, desperately clinging to presence. The music starts to sound out of sync with my tapping feet, and I realize I’ve missed a cue. Drifting apart from the other dancers, who move seamlessly in sync, my mind teeters on the precipice of a total blank as I struggle to regain composure. Within the crisis, my body takes over and aligns with my group in the next bar. I have no idea how long I have been out. I willed myself to focus on my sisters on stage and to calibrate with them rather than with my competing mind that was trying to hijack the performance. It was a tug of war that I somehow managed to dance through, but not without leaving its ugly mark.
The idea of preparing for and attending a three-day festival, vending my art and performing late into the night, might have been a stretch. I had missed a flamenco performance a few months earlier because my body simply said ‘no’. After five months in treatment, a couple of visits to the ER, and dealing with a gnarly ulcerated tumour, I needed a win, so I did it. I showed up anyway with a wing and a prayer.
My shame over not performing as well as I knew I could, with a mistake I couldn’t forgive, cast a dark shadow from the moment I left the stage, despite the exuberant applause of the crowd. I was deaf to any compliment that followed. Consumed by the desire to hide, I couldn’t help but feel that I let my group down. Frustration set in as I realized I’d fallen victim to my ‘old program,’ perhaps starting back when I was the rogue dancer in my orange tutu. Exhausted and upset, I couldn’t let it go. My ego had robbed me of the joy I could have celebrated simply by being there and able to dance at all.
I awoke from a restless night of sleep, still sticky with the residue of regret over what could have been. In the light of day, I realized that an old program had surfaced because it was ready to be healed. That little girl in the orange tutu longed to be liberated, but I didn’t know how, as my ego still dominated my mind space. I’ve learned to ask for help through prayer when I’m stuck. I prayed to be liberated from attacking myself. I prayed to forgive the false perception of myself and to have a beautiful day filled with meaningful connections. I sincerely prayed to let it go.
As I walked toward my tent filled with my visionary creations, a woman stopped me along the way. Her eyes welled up as she told me that the solo I performed the night before moved her to tears. Feeling her sincerity and her need to express appreciation for my performance, my heart instantly opened to receive her perspective, releasing what was holding me. The miracle was that I actually believed her.
The day continued with numerous people expressing their love for our performance, highlighting how our group moved together while showcasing our individual gifts of creative expression. I was gobsmacked. Their perception was entirely different from how I perceived it; I was so focused on what I did wrong rather than celebrating dancing with my flamencas—a typical sabotage of the ego, which only attacks to seek importance.
The Holy Spirit showed me that healing isn’t done alone; it happens with the help of others who can shed light on who we really are beneath the distortions lurking in our subconscious. What blew my mind was seeing the footage of our dance performance. As I cringed, anticipating the part where my mistake occurred, I was shocked to find that it came and went in a flash. During that time, I was entirely in sync with the music, doing something different from the others but it looked intentional and seamlessly integrated into the whole dance. Perfectly imperfect, the girl in the orange tutu was finally liberated.
LESSON: THE EGO ALWAYS SEEKS IMPORTANCE AND WILL ATTACK AND SEPARATE FROM THE WHOLE IN ORDER TO DO SO.
LESSONS FROM MY LUMP 